Wednesday, October 27, 2010

Call My Bluff

For some time now I have been making excuses not to write. One promise I made is that if I bought myself a new, better laptop, that I would be committed to write consistently.
Well. now the road meets the rubber. Kristi bought me a cool little red Acer netbook for my Birthday.

After some fiddling, I have found that my old Movie Magic Screen Writer program will work on this new Windows 7. No more excuses. No more dragging my feet. No more not writing. Click click clack clack.

Tuesday, August 3, 2010

To Sitcom or Not to Sitcom...

Over the years of coming up with feature film story ideas, or ideas for TV series, I have never been able to form an idea for a scripted TV series such as a situation comedy or a drama.

Recently I had been put to the task of coming up with a synopsis for such a beast, and I was surprisingly able to write out several. Five of the six ideas are for half hour sitcoms. By the nature of the beast, they are not ground breaking or completely original. I openly compare each to the shows which influenced them. One idea is for the new entity called the dramedy, which is a dramatic comedy. A serious story with a number of funny, or awkwardly funny moments.

Right now these synopses are in the hands a a Producers, waiting to see if they can generate any interest or some development money. Development money being cash in my pocket so I can sit at home and turn ideas into full scripts.

My track record for sitcoms is not great but not bad either. I did get short listed for auditions as a writer for the first (and only) sitcom that I tired to get hired on with. Tired being the not great part.

Tuesday, June 22, 2010

Thanks But No Thanks

The writer job for that crappy show came and went for me. I received an email from their producer saying "if you received this email we will not be hiring you." Well.
Check Spelling
For some one with a huge ego like me, that was an insult. Rejection is always hard for me and everyone else. This how ever, is one of those situations where you, out of some sort of desperation, ask the "ugly girl" at the bar to dance, and she says "no". Now in my head I am singing The Monks, Nice Legs Shame About the Face.

When I applied for the show, they didn't name it, just described it. Even when I found out what the show was, it was a program I had never seen or even heard of. When I finally did watch my first episode, I had second thoughts about working on it.

Well that problem has been solved. Thank you very much. I would have been happy to make some money as a writer and to earn a TV credit as a writer, but as bad as the show is, maybe it was a blessing.

However, I may get the last laugh. As terrible as this show is, the concept is actually pretty good. I plan to steal the concept from them and develop its full potential. There is room for a The Larry Sanders Show format, using an entertainment reporter instead of a talk show host. With entertainment shows like TMZ, Access Hollywood, and Entertainment Tonight at their most popular, it would be good timing to have a parody of these programs.

So screw you.

Tuesday, June 8, 2010

Writer Audition

Last week for the first time in my career I applied for a job as a writer on a TV show. Not very often you find postings for writer positions. Most often working writers live in a pool of nepotism; being hired by producers they have worked with before, or by fellow writers who know them well.

The ad was vague. Not mentioning the name of the show, it only read that the show was a nationally broadcast comedy on one of Canada's major networks. That peaked my interest.

Thinking outside the box, my cover letter and resume was more of a comic short story than a standard application. My thinking was, if the show is looking for funny writers, then I will show them "my funny". It paid off.

Being notified that out of 300 applicants, I had been short listed. It goes without saying that I was pleased with myself.

The production company scheduled me in for not an interview, but an audition. It was to become clear why this was an audition and not a job interview, there was no interviewing to be had.

My 2 hour commute got my to the production office 2 hours early, so it gave me plenty of time to sit at the neighbour pastry shop and prepare myself for the scheduled 5 hour interview/ audition. Did Corey just say 5 hours? Yes that is right, 5 hours.

When I arrived for my 10:45am meeting, it was straight to work. I was processed by who I think was the office production coordinator, though she didn't introduce herself at at. There was no meet and greet chit chat or pre-interview get-to-know-you talk. A desk was assigned to me, along with an assignment sheet and a DVD of clips.

From what I could tell, I was the only person auditioning at the time. Maybe even that day, being I was there for so long. There were only two other office personal in the room with me, and a third person who would come and go.

Sitting down at the desk, I fired up my borrow laptop, and didn't come up for air until I was finished, 5 hour later. Not once in that time did I have any contact from anyone working in the office. Even to ask me how it was going? I found that strange. When finished, the coordinator seemed very uninterested that I was leaving. However, I was done and felt pretty good about the work I did.

Let me preface this paragraph with the note of how hard it is to writer cold turkey, for characters you don't know, that are on a show you have never seen.

The entire audition was obviously, writing. I was given three assignments which each had three of four segments to them. The first assignment was to write some voice over monologue for the main character. One the DVD was a set up clip of a scene. The second clip was the voice over clip I had to write for. It was a montage sequence, so all the voice over needed to be one-liners. As I said, it is tricky to write something funny in the voice of a character, when you don't have any exposure to that character.

The second assignment was to write two bridge scenes. One the DVD I was given a set up scene, then followed the end scene. The assignment was to fill in the gap with two more scenes to get the main character from A to B. The end scene also asked for more voice over material. Even though it was longer, this was actually easier to write than the one-liner voice overs.

The third assignment was what they called the "brain storming" part. There were five different scenarios for the main character to be in, and I was asked to expand on each one. This was relatively easy to do, however, because it was the end of the day, and less structured of an assignment, I just rushed it out and didn't put a lot of effort or thought into it. Which is always a good way to approach impressing someone.

For those of us who write, writing is easy. Writing well is hard. Writing in someone else's style is impossible.

From the casting that I have done in the past, I always compared the audition process to a first date. It's an uncomfortable, nervous situation. You do not know what to expect. And you are trying your best to impress the other person. However, to make a match you have to have that chemistry. Either you fit or you don't. If you don't its not a mark against you, there is just no compatibility.

The show itself will remain nameless. It was a program that I had never heard of or seen before. The concept was great, using a "Larry Sanders Show" format. Real movie stars are interviewed in real press junket situations. Then scripted stories are written to lead up or follow that interview. However the show is produced on a nothing budget, and this prevents it from reaching its full potential. They have to settle and make do, and this hurts them in my opinion.
If you have seen the show, you will recognise the description right away. If you haven't seen it, I will tell you to watch only if I get the writers job.

Or to make myself feel better, I am reminded that not every big star or director gets every movie they want, because they might not be right for it. They are still great at what they do, but just not picked for that certain one. For me, I wrote in the voice that I write. If they like it and it works for them, that's good for everyone. If not, then that's how it is.

Where I might have screwed myself had nothing to do with my writing skills. The one call back I received from the production company was about my status as an Ontario resident. All Canadian TV shows fund themselves in part with provincial Tax Credits. Shoot in the province and hire local people, and you get huge tax breaks on your costs. Well, I am not an Ontario resident, on paper. I have been here for years, but do not have a provincial driver license or hospital insurance.

* note to self: If you want to work in Ontario, you got to be from Ontario.

Thursday, May 6, 2010

Broken Fingers

Are your fingers broken? No?? Then why aren't you writing?

Tuesday, April 27, 2010

Written Writing Wrote

For the first time ever I am applying to job as a writer. Crazy. I am excited about it, but won't get my hopes up. However, the description sounds perfect for me. Let's see what happens.

WRITERS (non-union, part time)

WRITERS must feel that they have an arsenal of writing craft at hand, including dialogue skills such as double-duty dialogue, economy of words, character development and a snappy sense of humour that doesn’t entirely rely on pop-culture references. Think shows like: “Curb Your enthusiasm”; “Larry Sanders” and “30 Rock”. Writers must also have the ability to fashion non-narrative voice-over – “inner thoughts” that relate in an unobvious way to the on-screen visuals. They must also come up with whole-scenes, and whole-story ideas. Most importantly, they must be able to write for a 30-something, single professional female who is intelligent but has “blonde moments” (or neuroses).

Is that me or what?

Monday, April 5, 2010

Robbed Again, or The Farrelly Brothers are Bastards.

Once again I find that a great script idea is being made by someone else. This happens a lot to me. Of course the main difference is they are making movies, and I only have script ideas.

My some times writing partner Dwain D, Double D, had come up with what I recognized as a great Rom-Com script idea.

Free Pass
, A married man and his wife grant each other the opportunity to have an affair with the celebrity of their desire. Things get a little out of control when these fantasy role games become a possible reality.

Lo and behold, I discovered that the new Farrelly Brothers movie, that just started shooting is THIS MOVIE.

Hall Pass: A married man is granted the opportunity to have an affair by his wife. Joined in the fun by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well.

Down to the title even. The only difference is the celebrity part. Which might even be part of it too.

The Farrelly Brothers even cast the movie with actors I would have used; Christina Applegate, Alyssa Milano, and Jenna Fischer, some of my favourite female comic actors.

I was exposed to this concept by an episode of King of Queens. Doug and Carrie pillow talk about who there fantasy person is. They agree if the opportunity ever came up they would get a free pass. Carrie decides on Mel Gibson, and Doug closes with "the girl who does your nails."

At the time I thought it was a very funny joke, but that's all. Then parallel to this, DD pitches the idea of Free Pass, and the idea just clicked, yes this would make a great feature.

And, apparently we were not the only ones to think so.

I hope it turns out good. I know it will.

Wednesday, March 31, 2010

Funny How the Page Doesn't Fill Itself

Why haven't I been writing? What is the deal? I have been holding out waiting to see if we sold Wheels of Fortune. Then recently I have been waiting to see if any funding came through for the few script outlines I have submitted.

I keep thinking if I buy myself a new laptop I will then be ready to write write and write. Yeah right.

However, that is no excuse not to be writing while I wait. Hopefully I am done wasting time, and now will be more motivated to get some ink to the page.

Times a wasting, so lets get to it.

Monday, February 22, 2010

Never Ending Proccess

Working in the Film and Television industry is a hard field to get a head in. Within that field probably the hardest area to work on is being a writer. Writers must be a self loathing group, why else would you try to make a living at it.

The big script sell that was building up for the last eight months for Wheels of Fortune has fallen through. At times it looked like a sure thing, then it sort of seemed doom. Then there was a glimmer of hope, but finally the producer decided to pass. Which was too bad.

We hit the ground running with that one and it looked like we were going to be very lucky making a sell on our first time out. Too keep my positive energy up, I do tell myself that I am lucky to have even gotten the script on to the desk of a big producer. let alone have discussions with him about it.

Wheels of Fortune isn't dead yet. The local producer who had been working as a go-between for us, still has a few ideas to milk some life out of the script. So we can only hope that something can be done with it.

The next step is to get an agent who can knock on doors and hawk the script for us. Its a strong story and can have a life for the right team.

Mean while I am working with my local producer to secure some development funds for a new script idea, or two even.

Keep moving ahead and never be discouraged.

Monday, January 11, 2010

Motivation

I desperately lack motivation, however I am determined to write massive amounts this year.